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to be written ... "Vulnerable" by Amati / Vaccaro is the new disk NEK!

Today was a day I would call DISCHARGE. I start writing after a fun evening with Andrea Amati went to celebrate an important event: the release of the new album by Nek! Long awaited and hoped for, as this disc contains a song written just Vulnerable to me and Andrea!

About a year ago when we signed the single "Infinity" by Luca Napolitano, I wrote on this blog that would not be over there, that I loved and we still had great songs in the cassette and that sooner or later we would have placed some new single. It took a while but finally I can say that I was right!

" And from here - Greatest Hits 1992-2010 "Contains all the successes of Nek, + 3 unreleased single," And from here "(already on radio on October 15)," E 'with you "(dedicated to his daughter Beatrice) and our" Vulnerable "(rock song in which blend acoustic and electric guitars).

's a song with a strong but sensitive text, full of ideas and intense, all enhanced by the great performance of Philip!

As you may know, Andrea Amati is already the author of several important individual Nek: "Wrong," "Unstable", "Night of February." For me it is rather a step into the world of the prestigious Italian, made even more significant by the fact that "vulnerable" has been arranged by Dado Parisini , with the guitars of Massimo Varini , and mastered by Andrew Walter at the historic Abbey Road Studios in London! (Where the discs were recorded by the Beatles!)

The album will be released November 19 in Europe, especially Switzerland, Belgium and Germany, on November 29 in Portugal, while in early 2011, the English version will be 'sold in Spain and Latin American countries.

I do not expect the world to rejoice for all that, the satisfaction is above all personal also quite difficult to explain and convey in words. Hear its own melody sung by the great voice that I have so often heard on the radio, it really is a hard stuff, I assure you! Once again I thank Andrea Amati, with whom there is now a solid friendship as well as a fruitful musical collaboration. Without his work and his great professionalism this would not have happened. But SARA 'success (?)! :-)

Let me conclude this post just like last year, although this time it's really hard ... well, consider it a superstitious gesture!

SAYING HOW GOOD CORRADO "does not end here."

Here is the link to download i-Tunes from the new album NEK:

http://itunes.apple.com/it/preorder/greatest-hits-1992-2010-e/id404064323

you soon!

www.bikomusic.net/

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BIKO STAR

No, not un'autocelebrazione! BIKO STAR is a sort of nickname that I was fastened her in this recording project titled "I'm Your Love." This is an album containing 12 dance-house remix of that song, some of which were produced by well-known DJ in the scene Milan.


It 's definitely an unusual role for me I know just the world of dance, but even so it was fun to put my voice and some guitar riffs on this song and then it literally transform between the hands of the various artists who have remixed!
The album was produced by John Toso for the label Italian Way Music and is available for download! If you want to listen to the preview just click on this link:

http://www.italianwaymusic.com/en/pop/im-your-love

- Biko

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... Work in progress ...

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Till death do you join ...

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Open Minds -

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No. 1 recording session ... and even this is gone!

Another summer over, another season ends. Despite the heat is back, September is around the corner, which means that everything must begin to wake!

The summer concerts were beautiful, at times even surprising, and now there are lots of good jobs in the studio waiting for me! Since the project with Antonella Bacchini for his EP (which will see the light this year!), Then there's the new chapter of Open Minds full of ideas that boil in saucepan. This to start with ... and are already pills unpublished! Soon reopen even Sanremo-Lab, for which I am involved as an author for some participants. In the coming months on the eyes and ears open "market" of the interpreters and then I'll pull the money in December 2010 that this, for me, I still consider a year of "seed" ... but perhaps it is too early to judge.

between the eyes and looks to the future, we are still impressed by the pictures of my trip just concluded between the castles of Bavaria, a ride in the mountains of Austria and Germany, which gave me beautiful landscapes and fragments of history that I knew very fragmented. On this trip I have often amused monarchical to immerse myself in the atmosphere of the eighteenth century, made of huge wealth. The interesting thing is that behind all that glitz, however, was the culture! No coincidence that the King of Bavaria took many economic resources (unfortunately at the expense of the people ...) to satisfy their hunger for knowledge and being able to hand down, get rich books, reading rooms, and places to listen to his favorite musical works! I saw rooms and musical instruments were put up on purpose to accommodate Richard Wagner, who at the time was a close friend of the Bavarian nobility.

E 'remained alive in me a thought: maybe there was madness in all this, no doubt, but when I think that many politicians today are often rich ignorant and going to spend our money in trans almost ... almost prefer the madness of 1700!

- B.

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ITALY

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... The return of

Expected and unexpected

Expected and unexpected second life
comes in that 'moment when you cut the veil
and six of the other party. You're never quite prepared

but you're always ready. The natural consequence of being born

the natural consequence of love.
A thought which makes the liquid
mind that makes you feel all that makes you feel nothing.
How to go straight to the center of the earth to the moon
or find a new sense
change as the weight things
the value of money, the force of arms
of sleep and waking, weeping, smiling
the air you breathe, to return home.
Now my place is' here
that your dazzling beauty.

sometimes short of breath
no going back from here.

you afraid that the time is not more to your leash

you afraid that the game is over now.

So you're in that intersection between the engagement and disengagement
and you take away from the center
you have to get into space and then divide the unnecessary

from what is needed.
There is no longer a day to sit on your calendar

and then
calmly to what you do not say no is

because who finally comes to light illuminates.

(N. Fabi)

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... B & W art museum ... step1

PLANTS OF THE THREE LEVELS














CROSS SECTIONS
















LONGITUDINAL SECTION AND SCHEDULES










prospective study WEST

















Crossing ... ...
The crossing has brought to light the problems inherent in building form and function of language too far from total coverage and too much an end in itself. The speech focused on the idea of \u200b\u200bbringing two floors (three under) of the 0 below the level of the ground to facilitate the development of the park above the unit above the ground floor. Coverage should provide access to the elevated park and the building itself and thus ensuring a healthy living environments below. In any case, the coverage will embrace and become part of the wall compliance through gianciture plans no longer vertical. The overall image can approach the multi-faceted and asymmetrical shape of a diamond.

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distribution schemes & Functional program

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Mambassa! (And who expected it?)

As generally defined as "electro". Are Mambassa, band born in the province of Cuneo in the mid 90s. Not heard them for a while and I thought we were loose as many alternative bands of the time ... but no! They changed guitarist and now re-appeared on MTV with this single titled "Casting", accompanied by a video starring a lot of young and well-known actors. It recognizes several ...
The song is beautiful and deserves a listen.
Enjoy.


This is their official website: www.mambassa.com

soon!
- Biko

http://www.bikomusic.net/

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Collection

In the absence of a clear compositional logic, a sort order or aggregation of a reference grid, the combination of individual units becomes accumulation free. Including items, shapes, objects, signs are approaching one another and never add up, but rather touching to tangency, overlapping, sometimes piling follow the logic, in any case retain their autonomy. The idea of \u200b\u200ba unit overall is very distant, and sometimes is based on the homogeneity of materials used, sometimes on the surfaces of uniform color, sometimes on parts of similar shapes. The relationship between the parties is minimal and its value is weakened to the point not to be a more important and central element of the composition. Collection is the title of many works by Arman, a member of the movement of the French "Nouveau Realism". A witness to our age and influenced by the amount, accumulation, by repetition in series from the scrap, the works of Arman link on the aesthetics of quantity, the expressiveness of the manifold. Known objects, newspapers, but also chosen for their special features formal and aesthetic (musical instruments, guns, paint tubes, gears) are surrounded by large transparent containers and crystallized in their random combination. The perfect shape and working as a live the shiny chrome of guns Boum Boum, ça fait mal in a controlled clearance between precision of each individual shape and randomness of their organization.

In Frederick Weisman Museum in Minneapolis or the Vitra Museum in Weil am Rhein Gehry confirmed to be the first principle is that of accumulation. The architect chases a veritable constellation of ideas, suggestions plastics, emotional outbursts. Its architecture is made up of parts that do not aspire to merge but rather maintain the freedom of an unfinished process. The effect is that of a chaotic set of unstructured forms.

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rotation, overlapping, the interlocking

It 'just a factor of instability that affects, although slightly, the current standard because the static nature of the existing order will give way to the dynamism of a real force field . The simple rotation of a volume compared to a reference grid or overlapping and interlocking of two forms, equivalent to putting the stability of the instability of the exception rule, the static and the dynamic and changing the order.
A rotation of only 3 and a half degrees to allow Richard Meier to establish the Museum of Applied Arts Frankfurt a complex dialectic in which the plot of the principal routes overlap with the form of regular salt to erode, to undermine the original geometry. A process of loss of both regular and acquisition of new degrees of variability.










A regular grid is a matrix of geometric House III by Peter Eisenman, but the rotation of 45 ° between the structure and the sheathing causes a series of chain reactions made of penetrations, overlaps and intersections to disrupt completely the initial unit.




















If in the case of House III the rules of the game are still traceable in part, when the rotation is accompanied by a process of layering multiple abduction, shifts or shifts, such as the College of Cincinnati (similarity with the Shift Robert Smithson) everything is so complicated that no longer makes sense to want to find the drive and the initial rule.




















This type of intersection between geometric spaces and regular patterns of overlapping routes is found, full of meanings and consequences, even in the work of Tadao Ando Shibuya Project which, not surprisingly, says "the word ' abstract 'brings me to mind the series Homage to the Square paintings by Josef Albers. The word' concrete 'evokes in my mind the engravings of Piranesi's Prison. Incorporating a network of paths in a simple geometric shape, concealing the maze with Piranesi schematic Albers, I tried to express the dual presence of the abstract and the concrete in architecture. "

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Fragmentation

's like having a million pieces of mosaic that do not make the same shape, which can never be put together and build a unit, as it does not come from a unified whole.
D. Libeskind, 1991

The choice of multiplicity through the idea of \u200b\u200b "fracture " the integrity of the work is now compromised and abandoned. This is not a simple process of breaking up or dismantling of each analytical component, the process is not reversible.
The object is broken, done in a thousand pieces, sometimes torn like a sudden explosion, sometimes compressed and deformed by a force opposite imploding. The result of this event, this process of destabilization, more or less deep inside, is the disruption of the mechanisms of cohesion, the loss of internal links, the syntactic structures of the work. Even here, however, there are different degrees and intensity. Sometimes fragmentation manifests itself as a simple split, as a clear break of continuity and logic of the physical, sometimes more pronounced as a fracture or instability of the whole, yet at other times as a real process total deconstruction. The idea of \u200b\u200bfracture can be found in denominations of Lucio Fontana or in the works of Matta Clark, in particular, Splitting in , making a literal resection in two parts of an abandoned house.
"A new fact of the sculpture, called Fontana and his works, a different way of thinking about architecture for Matta Clark, for whom it was said that" perhaps the most significant result achieved was to demonstrate that ' architecture can transcend disciplinary boundaries and directly knocking at the door of dreams. "


























The theme of the fracture can be boosted, leaving the size of the minimal gesture even if disruptive and become fragmented. The French artist Arman is an interpreter of great and original topic, earning the nickname "poet vandal." In his works, after buying some items, often musical instruments, destroys them with sudden fury reducing them to pieces. In his Chopin's Waterloo effect and shocking, nothing is left, all the pieces, buttons, whites and blacks, ropes, hammers, sounding the same shall be destroyed and scattered in the act of cathartic reunion with the manifold and the primordial chaos. The thousands of fragments of the piano, kept almost religiously in the precise position resulted, incidentally, of the destructive, producing only a distant echo of its original integrity.














In the work of the Japanese Hiromi Fujii or in those of many others, among them Peter Eisenman, modalities, intensity, times are different those of the French, but the point of departure and the deconstruction process as a whole are the same. In Fujii for example, the starting point is always unity. He like Arman, choose a set of objects intact, regular volumes of parallelepipeds pure, they have regularly as a mesh, a standard form, and then by progressive rotation, hinges, cracks and disconnections, undermines the entire system, to define a final configuration in which the plots, the lattices, the orthogonality intertwine and overlap chaotically.
If this diversity comes from "break" meant as an explosion, it can also be the result, instead, of an implosion, an inward movement, configured as a compression . A system of forces, this time from outside to inside, spoke on the mass, modify, distort, disturb the peace and quiet to hide from their original form in a new form. E 'space "folded" Eisenman, where there is neither horizontal nor vertical, nor the deduction nor out, nor any other rule of construction privileged. Everything changes with no apparent rules, same as if a press crushing walls, floors, structures, changing, in addition to form, the function of a single part. 'S why the space folded, as Eisenman says, it loses all contact with reason, with the function, meaning, the object becomes rational emotive, from functional aesthetics, unique from multiple . "The idea of \u200b\u200b'folding' modified three-dimensional space vision. Folded space is a kind of emotional space, about those aspects that are no longer associated with affection, no longer the reason, the meaning, function . "We are witnessing a metamorphosis which, passing through a stage of degradation, denial, the object of violence , reaches its full rehabilitation, the liberation of the infinite expressive potential of the material, color, mass. A process simultaneously random and logical, positive and negative, contradictory but actually quite natural.

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BANG references

1 . A newspaper rolled up and his FOLDS
2. C. Oldenburg Study of cigarette 1968/76
3. A plastic bottle and its FOLDS
4. A tin and its FOLDS
5 & 6. Cesar Compression 1962