In the absence of a clear compositional logic, a sort order or aggregation of a reference grid, the combination of individual units becomes accumulation free. Including items, shapes, objects, signs are approaching one another and never add up, but rather touching to tangency, overlapping, sometimes piling follow the logic, in any case retain their autonomy. The idea of \u200b\u200ba unit overall is very distant, and sometimes is based on the homogeneity of materials used, sometimes on the surfaces of uniform color, sometimes on parts of similar shapes. The relationship between the parties is minimal and its value is weakened to the point not to be a more important and central element of the composition. Collection is the title of many works by Arman, a member of the movement of the French "Nouveau Realism". A witness to our age and influenced by the amount, accumulation, by repetition in series from the scrap, the works of Arman link on the aesthetics of quantity, the expressiveness of the manifold. Known objects, newspapers, but also chosen for their special features formal and aesthetic (musical instruments, guns, paint tubes, gears) are surrounded by large transparent containers and crystallized in their random combination. The perfect shape and working as a live the shiny chrome of guns Boum Boum, ça fait mal in a controlled clearance between precision of each individual shape and randomness of their organization.
In Frederick Weisman Museum in Minneapolis or the Vitra Museum in Weil am Rhein Gehry confirmed to be the first principle is that of accumulation. The architect chases a veritable constellation of ideas, suggestions plastics, emotional outbursts. Its architecture is made up of parts that do not aspire to merge but rather maintain the freedom of an unfinished process. The effect is that of a chaotic set of unstructured forms. 
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