It 'just a factor of instability that affects, although slightly, the current standard because the static nature of the existing order will give way to the dynamism of a real force field . The simple rotation of a volume compared to a reference grid or overlapping and interlocking of two forms, equivalent to putting the stability of the instability of the exception rule, the static and the dynamic and changing the order.
A rotation of only 3 and a half degrees to allow Richard Meier to establish the Museum of Applied Arts Frankfurt a complex dialectic in which the plot of the principal routes overlap with the form of regular salt to erode, to undermine the original geometry. A process of loss of both regular and acquisition of new degrees of variability.
A regular grid is a matrix of geometric House III by Peter Eisenman, but the rotation of 45 ° between the structure and the sheathing causes a series of chain reactions made of penetrations, overlaps and intersections to disrupt completely the initial unit.
If in the case of House III the rules of the game are still traceable in part, when the rotation is accompanied by a process of layering multiple abduction, shifts or shifts, such as the College of Cincinnati (similarity with the Shift Robert Smithson) everything is so complicated that no longer makes sense to want to find the drive and the initial rule.
This type of intersection between geometric spaces and regular patterns of overlapping routes is found, full of meanings and consequences, even in the work of Tadao Ando Shibuya Project which, not surprisingly, says "the word ' abstract 'brings me to mind the series Homage to the Square paintings by Josef Albers. The word' concrete 'evokes in my mind the engravings of Piranesi's Prison. Incorporating a network of paths in a simple geometric shape, concealing the maze with Piranesi schematic Albers, I tried to express the dual presence of the abstract and the concrete in architecture. "
A rotation of only 3 and a half degrees to allow Richard Meier to establish the Museum of Applied Arts Frankfurt a complex dialectic in which the plot of the principal routes overlap with the form of regular salt to erode, to undermine the original geometry. A process of loss of both regular and acquisition of new degrees of variability.
A regular grid is a matrix of geometric House III by Peter Eisenman, but the rotation of 45 ° between the structure and the sheathing causes a series of chain reactions made of penetrations, overlaps and intersections to disrupt completely the initial unit.
If in the case of House III the rules of the game are still traceable in part, when the rotation is accompanied by a process of layering multiple abduction, shifts or shifts, such as the College of Cincinnati (similarity with the Shift Robert Smithson) everything is so complicated that no longer makes sense to want to find the drive and the initial rule.
This type of intersection between geometric spaces and regular patterns of overlapping routes is found, full of meanings and consequences, even in the work of Tadao Ando Shibuya Project which, not surprisingly, says "the word ' abstract 'brings me to mind the series Homage to the Square paintings by Josef Albers. The word' concrete 'evokes in my mind the engravings of Piranesi's Prison. Incorporating a network of paths in a simple geometric shape, concealing the maze with Piranesi schematic Albers, I tried to express the dual presence of the abstract and the concrete in architecture. "
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