Brunetta is a really cool when he does that! Bello angry, convinced of his ideas, with eyes that hypnotize and that his foolproof way of pronouncing the phrase "go to work!". A true idol in this Italy's drifters! The movie you see above shows how Brunetta can be a cool even when he says crap! It is not easy, but he succeeds!
Seriously ... our dear Minister wants to close a bit 'of taps in the cultural sector, without realizing that the problem lies at the source. In Italy there is adequate protection for those working in the music world, that's why so many professionals are forced to take a second job in addition to the musician. Well ... close the tap water comes out dirty because it does not solve the problem!
In this regard let me quote a few passages from a letter published by a musician named Guido ...
"Now, I do not deny that some musicians who work in certain areas and enjoy certain privileges, abuse their position and make the "lazy", but my question is: what do Brunetta knows what it means today to really make the musician in our country? But above all, realize that those of which he speaks are perhaps 1% of people who make music in Italy? "
" Paradoxically, the problem large that we have is to do a job we like ... The public just pass this! Everyone thinks that when you do a job you like all the rest do not count, well, exactly the opposite! Most of us did not choose this job because he needed to pay the rent or to buy a new car, he did it to a passion that goes into it with which it is difficult to discuss, often struggling furiously with parents and relatives (as in my case) they were hoping for you in a nice place in a bank or an engineer ... It 's a great passion that burns inside, and see it is not recognized, it is more disheartening than for any other profession! "
In terms of carry-term
these steps:
- UNEMPLOYMENT BENEFIT NO. The musicians do not have the right ... Curious, since we are insecure by nature ...
- RETIREMENT. The minimum pension is paid dall'ENPALS, the institution of the workers of the show, just in front of 2,800 to pay social contributions. By a calculation of thumb, it is clear that virtually no music of my band is able to reach this threshold. According to the rules, I should do such as 100 dates by paying their contributions for 28 years ... Today, 42 years I think I have come to 500 total! If we consider that the figures that you get to take, make contributions equivalent to not gain anything ...
- DISEASE. Is not even worth talking about ... It goes without saying that often comes to playing with a fever at 38, not to lose the date.
- ACCIDENTS AT WORK. I honestly do not know much of the legislation on this subject, but given the overall picture, I have high expectations.
- CONTRACTS. For most of the concerts that are made in local low budget, there is no employment contract, the agreements are taken mostly relying on the word aloud. Making a contract for each individual date, with the numbers that are at stake, it becomes difficult. At this point it is clear that is the good heart of the restaurant not to skip to the first difficulty that happens, otherwise we any kind of protection. In any case, for a date to 80/100 €, although there was a contract, go through legal channels would be ridiculous. "
In the end ... so close
... After all, even before the musicians to be artists and craftsmen are the music was born well before the banks, financial firms, shares of stock, information technology and all those things "series" which today makes the world go round. "
course I can not disagree with the ideas of Guido, emerged thanks to an interesting documentary made by the singer Ilaria Scattina, entitled" The War of the poor ".
E 'this sub takes about an hour ... if you have time and are curious look at him, an exemplary witness of life is really messed up of a musician!
"war of the poor" - I wanted to be a musician from 2008 ila on Vimeo .
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